The Good, the Bad, and the Ugly: The Problem with Makeover K-dramas

When I heard the premise for Oh My Venus, I just about reached through my computer and strangled everyone involved with the production. On the one hand, it's Shin Min Ah and So Ji Sub! On the other hand, it's a makeover drama, which may just be my absolute least favorite type of K-drama on the entire planet.

Coming on the heels of another makeover K-drama  (She Was Pretty) and following a similar "sad-fat-girl-turns-skinny" formula of last year's Birth of a Beauty (and casting poor Jung Gyu Woon to play basically the exact same role he played in the earlier drama), Oh My Venus made me especially wary.

In the end, though, Shin Min Ah and So Ji Sub won out, and I found myself watching the series. It's been an interesting experience thus far, with alternating scenes of things I hate and things I really appreciate.

Since K-dramaland seems so intent on making these types of shows over and over again, I want to have a conversation about why they're so troubling to begin with and what (if anything) makes them work.

"I Love Myself � But I Also Look Nothing like Myself"

Makeover K-dramas are inherently problematic for me. Often, the plot descriptions will include feel-good phrases like "she learns to love herself" or "They come to value personality over looks." Those things are awesome and all, but it's hard to cheer fully for a message about positive self-esteem and body image when the only way the heroine learns to love herself is by changing absolutely everything about her outside and conforming to Korea's strict beauty standards.

Take Birth of a Beauty as a prime example. To give the writers credit, the last few episodes were full of Geum Ran talking about how she learned to love her true self, and they even made some (horribly clumsy) attempts to "prove" that Tae Hee also loved her for who she was instead of the "Sara" exterior.

That's great! But wait � how, exactly, did she learn to love herself? Oh yeah, she got full-body surgery to look like Han Ye Seul. And sure, they included images of the heavier actress to remind us that she was still the same person on the inside � but right now, she still looks like Han Ye Seul. And she will always look like Han Ye Seul. 

Similarly, even if Tae Hee used a crazy contraption to see Geum Ran as her former self and was like "nope, I'm not disgusted by her fatness," at the end of the day, he's still going to bed with Han Ye Seul, and there's simply no getting around it.

Buying into the Stereotype

The other central problem with makeover dramas is that even the okay ones buy into the very same beauty standards they claim to undermine. It's enough to give you emotional whiplash to cheer in one scene and cringe in the very next.

So far, that's exactly what's happening with Oh My Venus. On the one hand, the writer seems to be handling the premise with more care than I expected. I love how Joo Eun believes in and stands up for herself even when other people mock her appearance. I also appreciate that if they had to put Shin Min Ah into a fat suit, it's one that makes her face look realistically chubby instead of saying she weighs 170 lbs and making her look like she weighs 400 lbs. (The face is good, but can we all just ignore the full-body fat suit, please? Random lumps everywhere, but nowhere they belong!)

And yet, even as the show seems to be making strides on one side, it backpedals on the other. It's one thing to have characters constantly commenting on her weight and making fun of her, but it's another when the show does the exact same thing. If she supposedly weighs 170 lbs, why do a UFC fighter and a top-tier trainer have so much difficulty carrying her on an airplane? Why does she make the sound of a freight train crashing when running into a glass door? Why, above all else, IS THERE JOKEY CIRCUS MUSIC PLAYING EVERY TIME SOMETHING EMBARRASSING HAPPENS TO HER?!?! 

What were your seven shirtless workout scenes for if not for this moment?

If the show was going to act like overweight people are sooooooo clumsy and it's soooooooo funny, then I almost wish they had made her fat suit bigger. Otherwise, it just seems like anyone who weighs more than real-life Shin Min Ah or Yoo In Young is a walking joke waiting to happen. 

The same goes for So Ji Sub's character. The charisma of the So Ji Sub-Shin Min Ah pairing is already impossible to resist, and I love how his character sees the good in her and wants to be around her even before she loses any weight. But please, please, can he never utter the words "Your body is mine" ever again? Please? Thanks.

Supporting one Beauty Standard

Of course, there's also the problem of Korean beauty standards in the first place. When K-dramas say a character is "ugly," half of the time that means frizzy hair and bad clothes, and then the "makeover" involves making her look exactly like every other Korean actress out there.

She Was Pretty fell into this trap. Why was everyone so horrified by her looks in the first place? I actually liked her curly hair and rosy cheeks, and I was annoyed that her makeover tamed everything interesting about her and made her look like a clone of everyone else. 

I get that she worked at a fashion magazine and needed to be taken seriously, but she could have done so by using some hair product and thinking about her clothes more carefully instead of changing her entire look. Once the makeover happened, Hye Jin's personality also kind of disappeared. It's like the second they tamed her hair, they also drained her character's life force. 

Because "ugly" = curly hair and "pretty" = stick-straight hair. It's like Princess Diaries all over again.
Also, I may just hate this look because that shirt ruffle looks suspiciously like my childhood nemesis dress.

Fortunately, the show's writer seemed to recognize the problem and actually allowed Hye Jin to go back to her original style at the end. Without that backwards transformation, the makeover would have been a total miss for me.

Can a K-drama Makeover Work?

Although I'm not 100% sold on the idea that focusing an entire show around physical appearance is ever a good idea (unless you're Miss Korea, in which case I love you and you can continue about your feminist business), there are some approaches that are better than others. Here's what works for me, personally:

1. Give us a reason for the makeover: If makeovers are to work, there needs to be a reason other than "I want my ex to love me again!" or "This rich man is suddenly interested in me, and I need to look 'worthy' to hang out with him!" This is a point in favor of Oh My Venus. By putting the emphasis on her health from the start, the series becomes less about looking good and more about overall well-being. Healthy lifestyles I can support. Getting skinny to win a man I cannot.

   

   I love her for this line. Even if her boyfriend doesn't take her back, it's still worth it to her.

2. Let the female lead take the lead: In a similar vein, the character receiving the makeover should be the driving force behind it. I know there's the whole Pretty Woman cliche of having a wealthy man pay to dress you up, but the whole idea of a guy forcing a woman to change her appearance to suit his tastes makes me vomit in my mouth a little. Boys over Flowers, I'm looking at you.
3. Stay true to character: I already talked about this with She Was Pretty, but instead of changing absolutely everything about a character, why not embrace that quirkiness as part of the character? So often, the makeover turns into a symbolic turning point where the quirky female lead suddenly turns into a domesticated doll, like in Prime Minister and I. In contrast, a fantastic K-drama makeover that bucked this trend was Oh! My Lady. She was an ahjumma through and through, so when she got her "makeover," it wasn't necessarily a look I would have chosen, but it suited her personality perfectly.

   

   To be fair, I wouldn't have picked Jan Di's "makeover" getup either, so....

4. Skip the makeover: I can't think of a good example where this happened, but wouldn't it be refreshing if a drama just skipped the makeover entirely? Let the "fat" or "ugly" woman find love without changing anything. I guess you could count My Lovely Samsoon, though I didn't know Kim Sun Ah was supposed to be fat until the characters pointed it out, so that doesn't really count for me. If that's too radical for K-drama writers, you can always go the She Was Pretty or Dream High route, where the character gets a makeover, but decides that she really was happier before. Did I love IU's fat suit? No. But I liked the sentiment that her character settled to a weight were she was healthier than where she started, but not killing herself over every calorie.

How do you feel about makeover dramas? Do you hate them? Do you tolerate them? Am I overthinking this entire thing? How do you feel about the Oh My Venus approach so far? Share all your thoughts!

New Drama Alert: Answer Me 1988/ Reply 1988

There's a new installation in the nostalgia-filled Answer Me series on the block! In spite of my hesitations about yet another trip back in time to guess the husband, it's shaping up to be a comfortable little drama that stands on its own merits.

What it's about: The year is 1988, and five childhood friends from the same neighborhood learn to navigate all the emotional ups and downs of transitioning from childhood to adulthood, including first loves, family strife, and undying friendship.

Number of episodes watched: 4


Thoughts so far: Having watched both Answer Me 1997 (which Coco reviewed) and Answer Me 1994 (which I reviewed), I honestly wasn't sure if the third time around could maintain the charm of the first two. I also wasn't totally sold on the idea of Hyeri carrying a show, which made me hesitant to even start it at all. With 20 episodes that are each at least 90 minutes long, it's a big commitment!

As it turns out, I shouldn't have been worried about Hyeri. If there's one thing the Answer Me series consistently does right, it's choosing the cast. While I can't always say that they choose the best actors or actresses to fill the roles, they always, without fail, choose the right ones. Hyeri makes Deok Sun come alive, and it's impressive that the director saw that potential and insisted on casting her in the face of criticism.

In terms of the plot, I'm also pleasantly surprised. While I really loved a lot of things about Answer Me 1994, the long episode length and the determined focus on the husband question did the series a disservice. When I found out that the writer/director team went back on their word about not having a husband guessing game this time around, I was somewhat annoyed, but at this point in the show, I'm okay with the direction the series is headed.

Even if the flashback framework places a huge emphasis on guessing the husband, that element was never really what drove either previous series for me. What keeps me watching series after series is the cozy, relatable feeling they give. Answer Me 1994 spoke to me because my own love story was so similar to the one in the drama. Similarly, Answer Me 1997 reminded me of all the fangirl wars my friends had over N'Sync vs. Backstreet Boys in the '90s. The central friendships and the throwback nostalgia suck me in every single time, regardless of who the husband is.

So far, Answer Me 1988 is, if anything, even more relatable than the other two were, at least for me. I love that this time around, we're seeing stories from the entire neighborhood, so there's a character who speaks to everyone. From the first few minutes of the first episode when all of the kids were running back and forth with their various side dishes, I realized that this series was on to something special. It's a full community packed with characters who live and breathe, and within minutes, I was already laughing and crying with all of them.

Is there a love triangle (or square or pentagon) on the way? Yes, obviously. But the inevitable shipping wars don't bother me right now because there are so many other threads to enjoy. Hopefully the series can focus on those human stories instead of narrowly focusing in on the one thread of Deok Sun's husband.

As long as I continue to feel like I'm part of the neighborhood, this drama will be a success in my book. What about you?

Ok, ok, but I'l admit finding the husband is a little bit fun too.

Where to watch:
DramaFever

She Was Pretty Korean Drama Review, Or, A Tribute to Siwon's Face

From what I can tell, a lot of people really, really loved She Was Pretty, making it one of the most popular dramas of the entire year.

Fair warning: I was not one of those people. If you adored the drama and would rather not hear negative things about it, stop reading now.

You have been warned. Now let us proceed.

If I had my way, this is the review I would give, as told by Siwon faces:

No? I can't get away with a million pictures of Siwon? Very well, then. Allow me to elaborate.

First of all, let me make this very clear: I started the drama for Park Seo Joon. I finished it for Siwon. Siwon stole the show, and I say that as someone who didn't go into the series as a blind Siwon superfan.

I never really had strong feelings for Siwon one way or the other, but this character was perfect for him. He's definitely become more natural as an actor since his Oh! My Lady days, and, although his character was mainly comedic, he was able to drive home a full range of emotions over the course of the series. I may have clutched my heart once or twice. (Dear drama writers: WHY did he tell her to answer the phone???? That was just cruel.)

Seriously. My heart!

Siwon's scenes were easily the highlight of the series, but there were some other things that I generally enjoyed, like the friendship between Ha Ri and Hye Jin or the members of the Most team. Overall, though, aside from the revelation that was Siwon, the series felt pretty bleh overall.

Considering how overwhelmingly positive most of the feedback on this series was, I tried to pinpoint exactly what it was that didn't gel with me as a viewer. Here are some of the biggest issues as I saw them:

Issue 1: The lead characterizations: I love love love love loooooove Park Seo Joon, but his character might as well have been a cardboard box for the interest he generated. I don't mind cliches when they're used in interesting ways or if the actors inject the characters with some extra spark (lie in Marriage, Not Dating, for example), but his character did none of those things. He was a typical terrible rich guy lead who magically changed overnight through the power of love into a completely bland, smiling paper cutout. 

There were glimpses of delving into his background and giving us a better look at how the sweet, chubby boy became this angry, wounded man, but we never really got there. Instead, the drama focused so narrowly on his love with Hye Jin that he turned into a dull boyfriend-bot without anything really compelling to keep me watching.

Hye Jin had glimpses of better moments, especially at first, but after her makeover, she also became the ideal, tamed Candy girl we've seen a billion times before. I honestly feel like the writer was following the K-drama playbook so closely with these two that we could easily copy and past 80% of their dialogue into an entirely different drama without anyone noticing a difference.

Siwon and I feel the same way about lame characters.

Issue 2: Why is she with him? No, seriously. I think we were all so worried about whether Sung Joon loved Hye Jin as her present self that we forgot to ask ourselves the same question in reverse. Aside from the fact that he was her childhood friend, what reason does Hye Jin really have to fall for him in the first place?

I know this is going to make some people upset, but for the vast majority of the series, I honestly got a more motherly vibe from Hye Jin towards Sung Joon than a romantic one. Yes, she mothers everyone and that's just her personality, but if Sung Joon is supposedly her true love, shouldn't he be different? Even consider the romantic gesture of cutting his nails for him. Why does he like it? Because that's what his mom did. Cute gesture, but no. Just no.

Gross and weird. Cut your own nails.

Issue 3: Wasted potential: At the beginning of the series, there were quit a few things that grabbed my interest, and I saw them as a chance for the writers to try something new. Unfortunately, the writer completely dropped the ball on most of these interesting threads and forgot they existed. For example, Ha Ri was a really interesting character at first. Even when she was dating her best friend's first love, I thought she could be a well-rounded, intriguing character. Instead, she just got pushed off to the side after Sung Joon discovered her secret. I mean, I'm happy that she found herself and all, but it kind of felt like the script ignored her as much as possible after episode 10.

Okay, okay, I think that's enough bagging on the show for now. It wasn't actively bad. It just didn't really give me any reason to keep watching.

In case you wondered what the other people in the show look like, this is them.

Conclusions

On a narrative front, She Was Pretty didn't really work for me. The characters weren't unique or interesting enough for a character-driven drama, and, for the first time ever, I was so uninterested in the central pairing that I found myself tempted to fast forward through their cute scenes together. That's really saying something.

That being said, I'm glad I watched in order to discover Siwon. This was his perfect army sendoff, and he has at least one new fan looking forward to seeing what he does upon his return from enlistment.

Surely you won't begrudge me just one more Siwon for the road, right?

Where to watch:

Viki

DramaFever (concluding next week after a 2-week delay)

Cheer Up/ Sassy Go Go Korean Drama Review

Image via

When Cheer Up! (aka Sassy Go Go) began, I was already prepared to give my heart to it, as long as it was the sweet, lighthearted school series it promised to be.

Well, it wasn't exactly what I expected from the trailers, but what I can say is that this series was an incredibly pleasant surprise, and it completely won over my heart even more than I anticipated.

Just how much do I love it? Enough to overcome my recent blogging laziness to gush over it the same day it ended. Now that's true love.


What it's about: Kang Yeon Doo (Jung Eun Ji) is the leader of her school's dance team, a ragtag group of outcasts who rank at the bottom of the academic barrel. Kim Yeol (Lee Won Geun) is the number one student at school, and he leads the "cheerleading club," which is really a study group for the top 5%, both academically and financially. The two eventually find themselves forced to mesh their two teams into one. Can they make it work?

Why I'm so in love

Well-written high school dramas manage to capture that feeling of being 16 or 17. That's what Cheer Up! did for me. It's been a long time since I was in high school, and my high school was pretty much nothing like Sevit High (thank heavens!), but as I watched, the characters transported me back to my own experiences in a sweetly nostalgic way.

The most obvious example is the handling of the romance. I will admit that it took me a few episodes to get a handle on Yeol's character because the idea that a K-drama character would actually flirt instead of being a rude and coldhearted was so incredibly foreign to me.

Gah this face! I can't.

But that's exactly how teenagers fall in love in real life. This drama showcased one of the most natural and comfortable K-drama romances I've seen in a long time. In dramas of all genres, I often find myself wondering how these people went from accidentally falling onto each other's lips to being willing to die for each other. I also wonder if they'll actually enjoy being around each other once they no longer have to defend their love.

Cheer Up was completely different. Sure, the leads accidentally fell onto each other a couple of times, but overall, their relationship progressed the way real relationships do. They became friends, flirted, and gradually developed feelings for each other. There was no pretending to hate each other. There was no noble idiocy. When they liked each other, they said it. When they wanted to hold hands, they did. And when they thought about each other, they burst into the giddiest eye smiles I've ever seen.

You just snuggle away, you two little lovebirds!

I saw some commentary from people saying they didn't know how much Yeon Doo liked Yeol because she hadn't expressed her feelings out loud, but I actually appreciated that their feelings were so obvious through the little details that we didn't need the screenwriter to tell us how they felt in the overt ways they do in other dramas.

 Instead of having Yeon Doo clutching her chest and asking the camera "Why is my heart beating so fast? Do I like him?" we saw her feelings in other ways. When I saw her grinning from ear to ear on the phone with Yeol, I didn't need to hear her feelings out loud because it was spelled all over her face.

This is what swooning at 16 looks like, folks.

I guess that's what made the drama fun for me � not only did the characters act in line with their personalities, but they also acted true to their age. Whenever they did something that I remember doing, it created the kind of connection that I don't generally feel with your typical chaebol/Candy stories.

 I don't know what it feels like to end up in a fake marriage while running away from loan sharks (shocking, I know), but I do remember when the boy I liked put a Valentine's note in my locker and I walked around the rest of the day with a dopey smile on my face. I'm a little suspicious that a Post-It company was sponsoring the whole show, but I don't even care because asking Yeon Doo to the movies with a sticky note was exactly what Yeol would do.

The romance was so cute that there was at least one squee-dorable scene in every episode, but there were a lot of other things going for this series, as well. The show was populated with a full cast of characters, all of whom had their own stories. Ultimately, it's a series just as much about friendship as it is about love, and it didn't disappoint on the friendship front.

Nearly every episode spotlighted a different set of characters, helping us see their joys and struggle. I admit that it might have been overly ambitious to tackle so many serious character arcs in a 12-episode series, but they still managed to make me care about an awful lot of people for so few episodes. It's impressive that I was so invested in Teacher Yang when he only really took center stage for one episode. But they managed it somehow, and I might have shed a tear or two over the empathetic educator. Or three. 

If there was ever a series that could have filled 16 episodes, this was it. Still, considering how many balls the show tried to juggle in such a short time, it was pretty smart with the pacing. I certainly never felt bored, and I found myself wishing that more shows would try the shorter format to cut all of the filler scenes that I didn't really miss.

Of course, there's also a downside to fewer episodes. For a straightforward romance (like Ex-Girlfriend's Club, for example), it's easy to wrap everything up in a shorter time. Cheer Up tried to do so much that they definitely had to rush some of the resolutions a bit. For how much time Soo Ah spent being a villain, her turnaround was pretty fast, and I almost wish they had left Dong Jae out of the series entirely since they barely skimmed the surface of his character.

I know that Soo Ah's handling upset a lot of people, but even though I thought it was resolved really fast, I don't mind how it all fell out in the end. Yes, Soo Ah was terrible, but she was never an outright villain. Instead, she always seemed to be lashing out in desperation. Does that excuse her actions? No. But I think there's a difference between being forgiving and justifying bad behavior, and I always felt like the show recognized when Soo Ah crossed the line, even when her friends graciously extended the hand of friendship. 

In the end, I felt like the series took Teacher Yang's approach to Soo Ah: He told her straight out that having a hard time didn't make her behavior okay, and yet he was always there to offer a helping hand when she wanted to turn around.

In spite of some quick fixes and underdeveloped characters, I was genuinely surprised that the series managed to give us so much resolution at the end, even if it was a bit rushed. With every passing episode, I grew increasingly convinced that the finale would be a hodgepodge, unsatisfying, open-ended mess, and yet I finished the show feeling pleased overall. I would rather have a series that moves fast and quickly checks off a bunch of boxes in the last episode than one that drags on episode after episode and still doesn't manage to wrap up its story.

Even baby Ji Soo turned out okay! But next time can he not rip out my heart so much? Okay? Okay.

Conclusions

Driven by winning performances from Eunji and Lee Won Geun, Cheer Up is a surprisingly well written, heartfelt series that captures both the enthusiasm and the heartache of youth. If the fluffy teasers didn't seem up your alley, it's still worth giving a try � it very well may surprise you.

Where to watch:

DramaFever

Viki